BOOK
REVIEW – EDGAR RICE BURROUGHS – TARZAN AND THE LION MAN 1933 New English
Library.
The
seventeenth book in the original Tarzan series is deeply silly and in many ways
Burrough’s cynical reaction to the Johnny Weismuller Tarzan film franchise
which was beginning in earnest around his creation. Burroughs disliked the
films as they dismissed the fantasy elements inherent in the novels. Tarzan’s
jungle was as alien a landscape as the Martian plains or the Centre Of The
Earth (Tarzan even goes there in one book).
The
book begins with a film crew preparing to make a movie on location in Darkest
Africa. They have a plot centred on a treasure map showing a valley of
diamonds. The hero of the film is a wild jungle hero called The Lion man,
played by a cowardly actor, who as we learn later, happens to look exactly like
Tarzan.
The
expedition into the jungle goes wrong when hostile native tribes attack them,
and Arabs who think the fake treasure map is real abduct the leading
ladies. The Lion man is taken by
cannibals, but rescued by Tarzan, who exploits his doppelganger similarity to
the actor to the maximum, especially when the actor is wounded and sent away to
a hospital (later to die of his injuries).
When
the leading actress is abducted again, events take a more fantastic turn. Her
new kidnappers are talking gorillas. They have been cloned from cells stolen
from the corpse of Henry The Eighth, and regard their jungle home as London by
The Thames. One ape has declared himself to be their God. He was once in fact human,
but he is now messed up, as are the apes, by his experiments in attempting to
achieve immortality. Tarzan, passing himself up as the actor, but now with
courage, rescues the actress from this absurd rip off of The Island Of Dr Moreu
(by H.G Wells), and takes her back to civilization, with a handful of real
diamonds (the map was real after all).
The finale is a real hoot though. Curious about Hollywood, after seeing the filming, Tarzan goes to Los Angeles to see the film stars, and gets a parting a new jungle film. He isn’t considered worthy to be the new jungle savage, but he is invited to be a victim of the real but tame lion, who will be saved by an actor really playing Tarzan. When the lion turns genuinely savage, the real Tarzan kills it to save everyone, and gets fired for destroying the expensive animal. He gets the next flight home, never wishing to have anything to do with cinema again; though the cinema would of course want much more to do with Tarzan for many years to come. This silly, rather cynical book, and great fun to read.
Arthur Chappell
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